Encyclopedia of fire safety

Socio-cultural institutions are examples. Abstract types and types of socio-cultural institutions. Functions of social institutions

Introduction

In modern conditions of social change, there is a rethinking of the role of culture, renewal of its forms and functions. On the one hand, culture still reproduces traditional attitudes and patterns of behavior that largely determine the behavior and thinking of people. On the other hand, modern media forms (television, cinema, print, advertising) are widely spread, which enhances the formation of ideological and moral stereotypes of mass culture, modern lifestyle.

In this context, the defining role of culture in the overall process of Russia's modernization is to shape the personality as an active subject of economic life and social self-organization. All projects of socio-economic development should include a humanitarian component, promote the development of spiritual strength and human health, and awareness of the high meaning of their existence.

In 1928, the TsPKiO was founded in Moscow, thus, the foundation was laid for the creation of new cultural institutions - parks of Culture and Recreation. After the Second World War, PKiO, like other cultural institutions, significantly expanded the scope of their activities, increasingly being involved in holding mass holidays.

In modern conditions, the role of parks as a traditional democratic place for mass recreation will increase. For many residents of the city, recreation in the parks often becomes the only available opportunity to spend time in nature and take part in mass entertainment. To improve the activities of parks of culture and recreation, it is necessary to carry out a phased modernization of the outdated park facilities, equipping them with modern amusement equipment, connecting all engineering networks to communications. In the new conditions, the traditional activities of parks should be reconsidered.

The purpose of this work is to consider parks as socio-cultural institutions.

The following tasks follow from this goal:

1. consider the essence and typology of socio-cultural institutions;

2. consider the socio-cultural activities of national and natural parks;

3. consider the activities of parks of culture and recreation;

4. draw conclusions on the research topic.

The object of the research is socio-cultural institutions. The subject of research is the activity of parks.

Socio-cultural institutions - concept and typology

The essence of socio-cultural institutions

Socio-cultural institutions - one of the key concepts of socio-cultural activities (SKD). In the broadest sense, it extends to the spheres of social and socio-cultural practice, and also applies to any of the many subjects interacting with each other in the socio-cultural sphere.

Socio-cultural institutions are characterized by a certain direction of their social practice and social relations, a characteristic mutually agreed system of expediently oriented standards of activity, communication and behavior. Their emergence and grouping into a system depend on the content of the tasks solved by each individual socio-cultural institution.

Among economic, political, household and other social institutions differing from each other in the content of activity and functional qualities, the category of socio-cultural institutions has a number of specific features.

First of all, it is necessary to emphasize the wide range of the term "socio-cultural institution". It covers a numerous network of social institutions that provide cultural activities, the processes of preservation, creation, dissemination and development of cultural values, as well as the inclusion of people in a certain subculture that is adequate for them.

In modern literature, there are various approaches to the construction of a typology of socio-cultural institutions. The problem is to choose the correct criterion for their classification, depending on the intended purpose, nature and content of their activities. As such, the functional-target orientation of socio-cultural institutions, the predominant nature of the content of their work, their structure in the system of social relations can appear.

From the point of view of the functional-target orientation, Kiseleva and Krasilnikov single out two levels of understanding the essence of socio-cultural institutions [ Kiseleva T.G., Krasilnikov Yu.D. Fundamentals of socio-cultural activities: Proc. allowance. - M.: MGUK, 1995, p. 294 - 295]. Accordingly, we are dealing with two of their major varieties.

The first level is normative. In this case, a socio-cultural institution is considered as a normative phenomenon, as a set of certain cultural, moral, ethical, aesthetic, leisure and other norms, customs, traditions that have been historically established in society, uniting around some main, main goal, value, need.

It is legitimate to refer to socio-cultural institutions of the normative type, first of all, the institution of the family, language, religion, education, folklore, science, literature, art and other institutions that are not limited to the development and subsequent reproduction of cultural and social values ​​or the inclusion of a person in a certain subculture . In relation to the individual and individual communities, they perform a number of extremely significant functions: socializing (socialization of a child, adolescent, adult), orienting (assertion of imperative universal values ​​through special codes and ethics of behavior), sanctioning (social regulation of behavior and protection of certain norms and values ​​based on legal and administrative acts, rules and regulations), ceremonial and situational (regulation of the order and methods of mutual behavior, transmission and exchange of information, greetings, appeals, regulation of meetings, meetings, conferences, activities of associations, etc.).

The second level is institutional. Socio-cultural institutions of an institutional type include a numerous network of services, departmental structures and organizations directly or indirectly involved in the socio-cultural sphere and having a specific administrative, social status and a certain public purpose in their industry. This group includes cultural and educational institutions directly , arts, leisure, sports (socio-cultural, leisure services for the population); industrial and economic enterprises and organizations (material and technical support of the socio-cultural sphere); administrative and management bodies and structures in the field of culture, including legislative and executive authorities; research and scientific-methodical institutions of the industry.

So, state and municipal (local), regional authorities occupy one of the leading places in the structure of socio-cultural institutions. They act as authorized subjects for the development and implementation of national and regional socio-cultural policies, effective programs for the socio-cultural development of individual republics, territories and regions.

In a broad sense, a socio-cultural institution is an actively operating subject of a normative or institutional type that has certain formal or informal powers, specific resources and means (financial, material, personnel, etc.) and performs an appropriate socio-cultural function in society.

Any socio-cultural institution should be considered from two sides - external (status) and internal (substantive). From an external (status) point of view, each such institution is characterized as a subject of socio-cultural activity, possessing a set of legal, human, financial, and material resources necessary to perform the functions assigned to it by society. From an internal (substantive) point of view, a socio-cultural institution is a set of expediently oriented standard patterns of activity, communication and behavior of specific individuals in specific socio-cultural situations.

For example, such a socio-cultural institution of a normative type as art, from an external (status) point of view, can be characterized as a set of persons, institutions and material means that carry out the creative process of creating artistic values. At the same time, in its internal (substantial) nature, art is a creative process that provides one of the most important social functions in society. The standards of activity, communication and behavior of creative people, their roles and functions are determined and specified depending on the genre of art.

Socio-cultural institutions give the activities of people a qualitative certainty, significance, both for the individual and for social, age, professional, ethnic, confessional groups, for society as a whole. It should be borne in mind that any of these institutions is not only a valuable and self-sufficient subject, but, above all, a subject of upbringing and education of a person.

Each of the socio-cultural institutions performs primarily its own, most characteristic substantive function, aimed at satisfying those socio-cultural needs for the sake of which it was formed and exists.

Continuity in culture, the preservation of the created, the creation and dissemination of new values, their functioning - all this is supported and regulated with the help of social institutions of culture. In this section, we will consider their essence, structure and functions.

Turning to the study of culture and the cultural life of society, it is impossible to ignore such a phenomenon as social institutions of culture (or cultural institutions). The term "cultural institution" is now more and more widely used in scientific circulation. It is widely used in various contexts by representatives of the social and human sciences. As a rule, it is used to refer to various and numerous cultural phenomena. However, domestic and foreign researchers of culture do not yet have a single interpretation of it, just as there is currently no developed holistic concept covering the essence, structure and functions of a social institution of culture, or a cultural institution.

The concepts of "institution", "institutionalization" (from lat. institution- establishment, establishment) are traditionally used in social, political, legal sciences. An institution in the context of the social sciences appears as a component of the social life of society, existing in the form of organizations, institutions, associations (for example, the institution of the church); in another, broader sense, the concept of "institution" is interpreted as a set of stable norms, principles and rules in some the sphere of social life (the institution of property, the institution of marriage, etc.). Thus, the social sciences associate the concept of "institution" with highly organized and systemic social formations that are distinguished by a stable structure.



The origins of the institutional understanding of culture go back to the works of a prominent American social anthropologist, culturologist B. Malinovsky. In the article "Culture" (1931), B. Malinovsky notes:

The real constituents of culture, which have a considerable degree of permanence, universality, and independence, are the organized systems of human activity called institutions. Each institution is built around one or another fundamental need, permanently unites a group of people on the basis of some common task and has its own special doctrine and special technique.

The institutional approach has found further development in modern domestic cultural studies. Currently, domestic cultural studies interprets the concept of "cultural institution" in two senses - direct and expansive.

A cultural institution in the literal sense most often correlates with various organizations and institutions that directly, directly carry out the functions of preserving, transmitting, developing, studying culture and culturally significant phenomena. These include, for example, libraries, museums, theaters, philharmonic societies, creative unions, societies for the protection of cultural heritage, etc.

Along with the concept of a cultural institution, various publications often use the traditional concept cultural institution, and in theoretical cultural studies - cultural form: a club as a cultural institution, a library, a museum as cultural forms.

Educational institutions such as schools, universities, we can also correlate with the concept of a cultural institution. Among them are educational institutions directly related to the sphere of culture: music and art schools, theater universities, conservatories, institutes of culture and arts.

The social institution of culture in a broad sense is a historically established and functioning order, a norm (institution) for the implementation of any cultural function, as a rule, generated spontaneously and not specially regulated with the help of some institution or organization. These include various rituals, cultural norms, philosophical schools and artistic styles, salons, circles and much more.

The concept of the institution of culture covers not only a group of people engaged in one or another type of cultural activity, but also process creation of cultural values ​​and procedures for the implementation of cultural norms (the institution of authorship in art, the institution of worship, the institution of initiation, the institution of funerals, etc.).

Obviously, regardless of the choice of the aspect of interpretation - direct or broad - the cultural institution is the most important tool for collective activity in the creation, preservation and transmission of cultural products, cultural values ​​and norms.

It is possible to find approaches to revealing the essence of the phenomenon of a cultural institution based on the system-functional and activity approach to culture proposed by M. S. Kagan.

Cultural institutions are stable (and at the same time historically changeable) formations, norms that have arisen as a result of human activities. As components of the morphological structure of human activity, M. S. Kagan identified the following: transformation, communication, cognition and value consciousness. Based on this model, we can identify the main areas of activity of cultural institutions:

culture-generating, stimulating the process of production of cultural values;

culturally preserving, organizing the process of preservation and accumulation of cultural values, social and cultural norms;

culturally broadcasting, regulating processes of knowledge and education, transfer of cultural experience;

cultural organizing, regulating and formalizing the processes of dissemination and consumption of cultural values.

Creating a typology and classification of cultural institutions is a difficult task. This is due, firstly, to the huge variety and number of cultural institutions themselves and, secondly, to the diversity of their functions.

One and the same social institution of culture can perform several functions. So, for example, the museum performs the function of preserving and broadcasting cultural heritage and is also a scientific and educational institution. At the same time, in terms of the broad understanding of institutionalization, the museum in modern culture is one of the most significant, inherently complex and multifunctional cultural institutions. If we consider the most important functions of the museum in culture, it can be represented by:

as a communicative system (D. Cameron);

as a "cultural form" (T. P. Kalugina);

as a specific relationship of a person to reality, carried out by endowing objects of the real world with the quality of "museum quality" (Z. Stransky, A. Gregorova);

as a research institution and an educational institution (J. Benes, I. Neuspupny);

as a mechanism of cultural inheritance (M. S. Kagan, Z. A. Bonami, V. Yu. Dukelsky);

as a recreational institution (D. A. Ravikovich, K. Hudson, J. Romeder).

The scatter of the proposed models is obvious - from narrowly institutional to raising the museum to the level of a factor that determines the development of culture, the preservation of cultural diversity. Moreover, among researchers there is no consensus on which of the functions of the museum should be considered the main one. Some, such as J. Benes, put forward the social significance of the museum, its role in the development of society, in the first place. In this regard, it is assumed that the main task of museums is to develop and educate visitors, and all other functions, for example, aesthetic, should be subordinated to it. Others, in particular I. Neuspupny, consider the museum, first of all, as a research institution, emphasizing the need for museum workers to conduct fundamental research. The functions of collecting, storing and popularizing collections are secondary and must be subject to the requirements of research work, which must use the full potential of scientific knowledge accumulated in this area, and not be limited to existing collections. One way or another, the museum is one of the most significant, multifunctional cultural institutions.

A number of functions within the framework of the activities of the cultural institute are of an indirect, applied nature, going beyond the main mission. Thus, many museums and museum-reserves carry out relaxation and hedonistic functions within the framework of tourism programs.

Various cultural institutions can comprehensively solve a common problem, for example, the educational function is carried out by the vast majority of them: museums, libraries, philharmonic societies, universities and many others.

Some functions are provided simultaneously by different institutions: museums, libraries, societies for the protection of monuments, international organizations (UNESCO) are engaged in the preservation of cultural heritage.

The main (leading) functions of cultural institutions ultimately determine their specificity in the overall system. Among these functions are the following:

protection, restoration, accumulation and preservation, protection of cultural values;

providing access for studying by specialists and for educating the general public to monuments of world and domestic cultural heritage: artifacts of historical and artistic value, books, archival documents, ethnographic and archaeological materials, as well as protected areas.

Such functions are performed by museums, libraries, archives, museum-reserves, societies for the protection of monuments, etc.

There are a number of functions of social institutions of culture:

state and public support for the functioning and development of artistic life in the country;

facilitating the creation, demonstration and sale of works of art, their purchases by museums and private collectors;

holding competitions, festivals and specialized exhibitions;

organization of professional art education, participation in programs of aesthetic education of children, development of art sciences, professional art criticism and journalism;

publication of specialized, fundamental educational and periodical literature of an artistic profile;

material assistance to artistic groups and associations, personal social security for artists, assistance in updating the funds and tools for artistic activity, etc.

The institutions dealing with the development of artistic activity include art schools and music schools, creative unions and associations, competitions, festivals, exhibitions and galleries, architectural, art and restoration workshops, film studios and film distribution institutions, theaters (dramatic and musical), concert structures , circuses, as well as book publishing and bookselling institutions, secondary and higher educational institutions of an artistic profile, etc.

Cultural institutions embody the persistence of cultural forms, but they exist in historical dynamics.

For example, the library as a cultural institution has existed for many centuries, changing and transforming externally and internally. Its main function was the preservation and dissemination of knowledge. To this were added various aspects of the existential content and differences in understanding the essence of the library in a particular period of the history and culture of society.

Today, there is an opinion that the traditional library is becoming obsolete, that it has partly lost its true purpose and no longer meets the requirements that modern society makes of it, and therefore it will soon be replaced by a “virtual library”. Modern researchers talk about the need to comprehend and evaluate the changes taking place with modern libraries. Libraries, while maintaining their status as a repository of intellectual values, are becoming more democratic, equipped with electronic information carriers, and connected to the World Wide Web. At the same time, dangerous consequences are already visible. Displaying information on monitors, access to the Internet will radically transform not only the library, but also the writer and reader. In modern information systems, the distinction between author and reader almost disappears. There remains the one who sends and the one who receives the information.

In addition, in the past, the library was predominantly a state institution and pursued the policy of the state in the spiritual life of society. The library as a cultural institution established certain cultural norms and rules, and in this sense it was a "disciplinary space". But at the same time, it was a kind of space of freedom precisely because personal choice (as well as personal libraries) made it possible to overcome something forbidden, regulated from above.

Cultural institutions can be divided into state, public and private. The interaction of cultural institutions and the state is an important problem.

Some cultural institutions are directly related to the system of state management of cultural life and the cultural policy of the state. This includes the Ministry of Culture, various state institutions, academies, organizations that issue awards - state awards, honorary titles in the field of culture and the arts.

The main bodies planning and making decisions on cultural policy issues are state authorities. In a democratic state, as a rule, experts and the general public are involved in decision-making. The bodies implementing the cultural policy of the state are cultural institutions. Patronized by the state, included in its cultural policy, they, in turn, are called upon to carry out the function of translating samples of social adequacy of people into samples of social prestige, i.e., promoting the norms of social adequacy as the most prestigious forms of social life, as ways to public status. For example, the assignment of state prizes, academic titles (“artist of the imperial theaters”, “academician of painting”, “people's artist”, etc.) and state awards.

The most important cultural institutions, as a rule, are in the sphere of the cultural policy of the state. For example, the state provides patronage to outstanding museums, theaters, symphony orchestras and protection of cultural monuments, etc. For example, in the UK there is a powerful system of state support for culture. In the Soviet Union, the state fully funded culture and passed its ideology through cultural institutions.

A certain role in the implementation of state policy in the field of culture is played by research and educational institutions of culture and arts.

Cultural institutions participate in the international activities of the state, for example, make mandatory contributions to the UNESCO fund.

At present, many cultural institutions are moving from the state department to the sphere of private enterprise and public organizations. Thus, the film distribution network in modern Russia has freed itself from the ideological and financial tutelage of the state. Private museums, theatrical enterprises, etc., appeared.

Public cultural institutions are various creative unions: the Union of Cultural Workers, the Union of Artists, the Union of Writers, the Society of Lovers of the Russian Manor, the Society for the Protection of Cultural Monuments, clubs, tourist organizations, etc.

Private cultural institutions are organized on the initiative of individuals. This includes, for example, literary circles, salons.

In the past, the characteristic feature of the salons, which distinguished them from other cultural institutions, such as, for example, male literary circles and clubs, was the dominance of women. Receptions in the salons (drawing rooms) gradually turned into a special kind of public gatherings, organized by the hostess of the house, who always led the intellectual discussions. At the same time, she created a fashion for guests (for the public), their ideas, their works (often literary and musical; in later salons, also scientific and political). The following key features of the salon as a cultural institution can be distinguished:

the presence of a unifying factor (common interest);

intimacy;

game behavior of participants;

"the spirit of romantic intimacy";

improvisation;

no random people.

Thus, with all the variety of cultural institutions, the main thing is that they are the most important tools for collective, to some extent planned activities for the production, use, storage, broadcasting of cultural products, which radically distinguishes them from activities carried out individually. The variety of functions of cultural institutions can be conditionally represented as culture-generating (innovative), culture-organizational, culture-preserving and culture-transmitting (in diachronic and synchronous sections).

In the twentieth century there have been significant changes related to the role of social institutions of culture.

Thus, researchers talk about the crisis of self-identification of culture and cultural institutions, about the inconsistency of their traditional forms with the rapidly changing requirements of modern life, and about the changes that cultural institutions are undertaking for the sake of survival. And first of all, the crisis is typical for such traditional cultural institutions as museums, libraries, theaters. Proponents of this concept believe that in previous eras, culture served various purposes (religious, secular, educational, etc.) and organically combined with social life and the spirit of the times. Now, when the market economy does not involve the study of higher human values ​​and aspirations, it is not clear what the role of culture is and whether it can even find a place in this society. Proceeding from this, “cultural dilemmas” are formulated – a series of questions: about the relationship between culture and democracy, the difference between a cultural and sporting event, about cultural authorities, virtualization and globalization of culture, public and private funding of culture, and so on. The experience of the 20th century shows that in the post-war era of reconstruction, culture was used to restore the psyche of people after the horrors of World War II, and people's interest in culture was stimulated. In the 1970s and 1980s an era has come when people ceased to be passive recipients of culture, but began to participate in its creation, and the boundaries between high and low culture were erased and cultural processes themselves were brightly politicized. In the mid 1980s. there was a turn to the economy, and people turned into consumers of cultural products, which began to be perceived on an equal footing with other goods and services. In our time, there is a turn towards culture, as it begins to influence politics and economics: "in the field of economics, value is increasingly determined by symbolic factors and cultural context."

The authors distinguish five types of political reactions to the advent of the modern "age of culture": 1) a policy based on knowledge and employment (providing jobs for artists in various industries); 2) image policy (the use of cultural institutions to increase the rating of cities in the international arena); 3) organizational modernization policy (overcoming the financial crisis); 4) protective policy (preservation of cultural heritage); 5) using culture in broader contexts.

However, all this is an instrumental attitude towards culture, in these reactions there is no sympathy for the own goals of the artist, art or cultural institutions. An alarming atmosphere has now reigned in the world of culture, which is most clearly manifested in the funding crisis. The credibility of cultural institutions is currently shaken, as they cannot offer visible, easily measurable criteria for their success. And if earlier the ideas of the Enlightenment assumed that every cultural experience leads to the improvement of a person, now, in a world where everything can be measured, it is not so easy for them to justify their existence. As a possible solution, it is suggested that quality should be measured. The problem is to translate qualitative indicators into quantitative ones. A large-scale discussion about the fact that cultural institutions are in danger, and culture is in a state of crisis, with the participation of authors and a number of other competent persons, took place with the support of the Getty Foundation in 1999.

These problems were formulated not only in Western countries, which faced them much earlier, but also by the mid-1990s. in Russia. The role of theaters, museums and libraries has changed under the influence of other cultural institutions of mass communication, such as television, radio and the Internet. To a large extent, the decline of these institutions is associated with a decrease in state funding, that is, with the transition to a market economy. Practice shows that in these conditions only an institution that develops additional functions, for example, informational, consulting, recreational, hedonistic, and offers the visitor a high level of services can survive.

This is exactly what many Western and, more recently, Russian museums are doing. But this is where the problem of the commercialization of culture comes to light.

As for art, Susan Buck-Morse, professor of political philosophy and social theory at Cornell University, clearly formulates this problem in her works:

In the past decade, museums have experienced a real renaissance… Museums have become axes of urban redevelopment and centers of entertainment, combining food, music, shopping and socializing with the economic goals of urban regeneration. The success of a museum is measured by the number of visitors. The museum experience is important—more important than the aesthetic experience of the artists' work. It doesn't matter—it might even be encouraged that exhibitions turn out to be simple jokes, that fashion and art fuse together, that museum shops transform connoisseurs into consumers. Thus, it is not so much about culture itself, but about the forms of its presentation to people who, according to the rules of the market, should be considered exclusively as consumers. The principle of such an approach to the functions of a cultural institution is: commercialization of culture, democratization and blurring of boundaries.

In the XX-XXI centuries. along with the problems of commercialization, a number of other problems arise related to the development of the latest technologies, on the basis of which new types and forms of social institutions of culture appear. Such institutions used to be, for example, music libraries, now they are virtual museums.

Educational institutions in Russia teach the history of culture, nurture a culture of behavior, train modern culturologists: theorists, museologists, library workers. The universities of culture train specialists in various fields of artistic creativity.

Organizations and institutions that are directly or indirectly related to the study of culture and its various phenomena are consistently developing.

As we can see, complex interactions take place in culture between the traditional and the new, between social and age strata of society, generations, etc.

In general, culture is a field of various interactions, communications, dialogues, which are extremely important for its existence and development.

The following groups of social institutions:

1. Economic - these are all institutions that ensure the process of production and distribution of material goods and services, regulate money circulation, organize and division of labor, etc. (banks, stock exchanges, corporations, firms, joint-stock companies, factories, etc.).

2. Political - these are the institutions that establish, execute and maintain power. In a concentrated form, they express the political interests and relations existing in a given society. The totality of political institutions makes it possible to determine the political system of society (the state with its central and local authorities, political parties, police or police, justice, the army, and also various public organizations, movements, associations, funds and clubs pursuing political goals). The forms of institutionalized activity in this case are strictly defined: elections, rallies, demonstrations, election campaigns.

3. Reproduction and kinship are institutions that maintain the biological continuity of society, satisfy sexual needs and parental aspirations, regulate relations between the sexes and generations, etc. (institute of family and marriage).

4. Socio-cultural and educational - these are institutions whose main goal is to create, develop, strengthen culture for the socialization of the younger generation and transfer to it the accumulated cultural values ​​of the whole society as a whole (family as an educational institution, education, science, cultural and educational and art institutions, etc.).

5. Socio-ceremonial - these are institutions that regulate everyday human contacts, facilitating mutual understanding. Although these social institutions are complex systems and most often informal, they determine and regulate the ways of greetings and congratulations, the organization of solemn weddings, holding meetings, etc., which we ourselves usually do not think about. These are institutions organized by a voluntary association (public organizations, comradely associations, clubs, etc., not pursuing political goals).

6. Religious - institutions that organize a person's connection with transcendental forces. The other world for believers really exists and in a certain way affects their behavior and social relations. The institution of religion plays a prominent role in many societies and has a strong influence on numerous human relationships.

In the above classification, only the so-called "main institutions" are considered, the most important, highly necessary institutions, brought to life by enduring needs that regulate basic social functions and are characteristic of all types of civilization.

Social institutions, as well as social connections and interactions, can be formal and informal.

A formal institution is an institution in which the scope of functions, means and methods of action are regulated by the prescriptions of laws or other legal acts. Formally approved orders, regulations, rules, regulations, charters, etc. The formal social institutions are the state, the army, the court, the family, the school, and so on. These institutions carry out their managerial and control functions on the basis of strictly established formal negative and positive sanctions. Formal institutions play an important role in the consolidation of modern society. On this occasion, A.G. Efendiev wrote that "if social institutions are powerful ropes of a system of social ties, then formal social institutions are a fairly strong and flexible metal frame that determines the strength of society."

An informal institution is an institution in which the functions, means and methods of activity are not established by formal rules (that is, they are not clearly defined and not enshrined in special legislative acts and regulations), so there is no guarantee that this organization will be sustainable. Despite this, informal institutions, just like formal ones, perform managerial and control functions in the broadest social sense, as they are the result of social creativity and the will of citizens (amateur associations of amateur creative activity, associations of interests, various funds for social and cultural purposes and etc.).

All social institutions of any society are united and interconnected to varying degrees, representing a complex integrated system. This integration is mainly based on the fact that a person, in order to satisfy all his needs, must participate in various types of institutions. In addition, institutions have a certain influence on each other. For example, the state influences the family through its attempts to regulate the birth rate, the number of marriages and divorces, and the establishment of minimum standards for the care of children and mothers.

An interconnected system of institutions forms a coherent system that ensures the satisfaction of group members of their diverse needs, regulates their behavior and guarantees the further development of the group as a whole. Internal consistency in the activities of all social institutions is a necessary condition for the normal functioning of the whole society. The system of social institutions in the social aggregate is very complex, and the constant development of needs leads to the formation of new institutions, as a result of which there are many different institutions next to each other.

Institutional Description of Civilization . The study of civilizations, including modern Mass Civilization, must be based on observable facts. Among them may be things(more broadly: the specific objective world of a given civilization), technologies of their production and methods of use. Along with them, the characteristics of a given civilization are subject to research. ways of cooperating people in their efforts to reproduce established forms of life.

For example, we study the ancient Egyptian civilization at the time of the construction of the pyramids, based on the study of the structure of the pyramids themselves, on the reconstruction of the technology of their construction, as well as information about the purpose of these buildings. But, in addition, we are interested in how the ancient Egyptians concentrated the efforts of a large number of people to perform these laborious works: was it the work of slaves or free people, was it exclusively forced labor, or was participation in the construction of the pyramids considered sacred? Our understanding of the essence of ancient Egyptian civilization and, in general, ancient Eastern cultures largely depends on knowledge of this kind.

Another example. In medieval civilization, the most important of the industries was agriculture. Therefore, when studying the Middle Ages, scientists strive to obtain the most reliable data possible about the productivity of agriculture at that time: what was grown, in what ways and how the products were used. But besides this, in order to understand medieval culture, it is necessary to know about the more or less standard for that time ways of interacting people in this area. In particular, one must understand the traditional rules of communal land tenure, the rules of vassal land holding, etc., in which medieval culture reveals itself.

These or other stable forms of interaction between people pursuing common goals are facts on the basis of which civilizations can be studied, and, at the same time, signs that allow them to be distinguished. For example, the stock exchange is a sign of the capitalist civilization of modern times. Before that, there were no markets. And the theaters were, but different. Under the same name "theater" are hidden dissimilar, specific to different civilizations, forms of interaction between people both on the stage and between the stage and the audience: the ancient Greek theater was organized quite differently from the Italian La commedia dell'arte renaissance or repertory theater XIX century. Armies, too - in different eras, these were military organizations organized in completely different ways. The same can be said about medieval, classical and modern universities. Reliable knowledge about the peculiarities of the organization of university life in different civilizations - from the rules of admission and teaching methods to the conditions of the graduation test - can tell a lot about the characteristics of the respective cultures.

Social (or socio-cultural) institutions are called stable social structures that regulate the interaction of people united for the joint performance of one or another socially significant function. Stable (rather than random) we will call such a structure that is repeatedly reproduced and does not depend on the specific composition of the participants. School, shop, ministry, court, etc. remain themselves, regardless of who exactly acts in them as students, teachers, sellers, buyers, employees, judges, etc.

“Sociocultural institution” is a theoretical concept denoting a model (conceivable structure), which in practice usually corresponds to a set of similarly organized stable human communities. In the above examples, we raised questions about socio-cultural institutions characteristic of different cultures: about institutional supportabout the construction of the pyramids in Ancient Egypt, about the institutions of medieval management, about the stock exchange as an institution of the capitalist economy, about institutionally differently organized armies, and finally, about the “theater” as a whole series of sociocultural institutions of the same name - similar, but different in historically different cultures.

An example of a modern socio-cultural institution is the "football club". Football clubs are voluntary associations of people (football players, fans, managers, etc.) whose goal is to contribute to the stable and successful participation of their team in competitions. Thanks to the club, a professional football team is a stable association; it does not fall apart when its players change. "Football Club" is an example of a socio-cultural institution in the sense of the organizational model that has developed in the era of Modernity, namely, a repeatedly reproduced model of the corresponding public organization.

Along with clubs and professional club teams, you can also find amateur teams (for example, from housemates, employees, veterans, etc.), which extrainstitutional. Sometimes they gather for one game, often their fate is connected with one person - a leader or sponsor, or some other special short-term circumstances.

The transition of the international football movement from the competition of various amateur teams to the tournaments of professional teams within the framework of typical football clubs, which took place in its time, should therefore be called institutionalization football.

The concept of an institution It was originally developed in legal science, where it denotes a certain set of legal norms that support the stability of certain socio-legal relations that are important for society. Such relations include, for example, the “institution of inheritance”, “the institution of marriage”, “the institution of elections” or even the “institution of mitigating circumstances” (it consists of a set of principles and circumstances under which a person found guilty of a crime may be more lenient punishment). In all these and other cases, we mean a set of legal relations and actions that form a given procedure. For example, the institution of inheritance is a set of legal relations and procedures that the legislator requires to be performed in order for the fact of inheritance to be recognized as valid.

Outside of jurisprudence, the concept of an institution acquires a broader regulatory framework: in addition to legal ones, it can also be formed by ethical regulators (for example, the institute of charity), aesthetic ones (for example, the institute of art competitions), but more often sociocultural institutions are formed by a wide range of regulators of various nature. For example, the institution of paternity is formed by a system of relations, some of which are legally fixed, the rest lie in the sphere of morality traditional for a given society and accepted aesthetic ideas (about the beautiful and the ugly, etc.).

In sociology, institutions are commonly referred to as social, because they are studied as facts of public life (the institution of the state, the institutions of private property, health care, education, etc.). From the point of view of cultural studies, these institutions are considered as sociocultural, because they are studied as structures predetermined by culture and emerged in order to embody the ideas inherent in a given society about the world and man in it. As an example of one of the socio-cultural institutions of the New Age, one can cite the “museum”. A classical museum is a public repository of authentic monuments of civilization (paintings and sculptures, books, technical devices, folk crafts, etc.), organized by thematic or chronological principle and intended to educate contemporaries. It received a civilizational embodiment crystallized in XIX century, the idea of ​​the connectedness of the historical process and the value of the past as the historical "homeland" of the present.

The construction of a civilization includes the creation of its own socio-cultural institutions, designed to organize the joint efforts of people in accordance with the ideas inherent in a given culture. Historically, all socio-cultural institutions take shape, operate and fall apart. Most often, cultural historians study already established, stable institutions that functioned within the framework of certain long-existing civilizational and cultural forms (they are called cultural and historical epochs). Less attention has so far been paid to crisis phases rise and fall of institutions.

Typically, the destruction of sociocultural institutions occurs when changes in culture change ideas about the goals for which institutions were formed. For example, the product of feudal culture - the institution of knightly troops - with the onset of the era of absolutism lost its significance, experienced a decline and gave way to the institution of a mercenary army.

When at a certain historical moment we observe the destruction of many socio-cultural institutions at once, we must conclude that this form of civilization is in crisis and that a borderline (transitional) era has begun. The moment of the onset of numerous institutional changes should be called institutional crisis of civilization, including in this concept both the collapse of the old ones and the search for new institutional forms in periods of transitional epochs.

The unity of a social institution with the culture that generates it makes it possible to explore a civilization/culture based on observation of its socio-cultural institutions. Let's take a look at modern media – mass media (media).

The Institute of Contemporary Media is the collective name for sustainable organizational structures that regulate the cooperation of journalists, technical and management staff in the editorial offices of numerous newspapers, radio and television channels. Editorial offices of media outlets are organized associations (“teams”) of people who perform official functions (roles) predetermined by the structure of the editorial office. Through their roles, they are included in the joint achievement of culturally significant goals.

A study of modern media shows that their goal is not to obtain and disseminate reliable and verifiable information, as is often declared. The modern socio-cultural institution of the media pursues a different goal. Editorial offices produce and sell a special - information "media environment" (Eng. mass-media ), which consists of a continuous stream of various judgments and information, where the reliable and the unreliable are indistinguishably merged.

Such an action of modern media is in agreement with the basic values ​​of the Mass Culture that gives rise to them. In her authenticity knowledge is neither a generally accepted condition for its value, nor the main criterion for the quality of information, and where, on the contrary, fictitious or false information and judgments often acquire high social value, based either on random signs (“sensational” rumors, gossip, versions, forecasts etc.), or on ideas about the usefulness or expediency of certain statements, views, reports of events (propaganda). Thus, institutionally - in terms of goals, methods of work, selection of specialists, the way they interact with each other, etc. - the media institute meets the requirements of modern culture, and in terms of structure it is a typical institution of modern civilization.

Scientific and technological progress, institutional rebirth in the twentieth century and new humanitarian problems. Central to the culturological understanding of the era of Modernity is the question of the meaning of the historical processes of the past twentieth century, during which Modernity took shape, became the dominant form of culture in the world (the latest cultural and historical era). It should be borne in mind that just at that time there were two world wars and a world economic crisis between them, as well as the so-called. "Cold War" between the USSR and the USA with their allies in 1950-80. The two approaches to understanding the events of the 20th century seem to be independent of each other.

The first is focused mainly on scientific and technological progress. Its supporters usually point to the unprecedented growth of energy (nuclear and non-nuclear) technologies, international financial and corporate systems, the quantitative and qualitative development of transport and communications, which ultimately ensured the availability of comfort, health care, education, etc. to an unprecedented number in history. people in different countries of the world. All these are brilliant achievements of the human mind, which has consistently served the improvement of life for several centuries. From this point of view, the civilization of the New Age, which took shape even before the twentieth century, proved its viability and success, while the cataclysms of the twentieth century from this position can be presented as terrible misunderstandings into which the deceived masses of people were drawn into the evil will of some rulers, among which are the names Hitler and Stalin are the most famous today. Consequently, the task is to expose the established usurpers and to prevent in the future the possibility of such "evil geniuses" coming to power anywhere in the world. The new time continues. And in this sense, we can assume that we live in an era when the “end of history” has come (according to F. Fukuyama) .

A different view is an understanding of the history of the twentieth century as a period of global crisis of the civilization of the New Age and the formation of modern Mass Culture with its own new civilization, the formation of which continues before our eyes. From this point of view, the cataclysms of the 20th century were generated by the emergence of new social and economic conditions created by the successes of science and production, and, at the same time, by the inability of people to realize their radical novelty in a timely manner and find goals and methods of activity adequate to the new conditions. From this second point of view, the historically new social conditions of the 20th century were predetermined by the introduction of new technologies, the growth of production, and communications.

Among the new circumstances created by scientific and technological progress in the twentieth century were not only increased comfort, health and longevity (first in the richest countries). For the first time, conditions and needs for collective actions of unprecedented power (organization of large-scale production and mass demand) and unprecedented scale of impact on human collectives (totalitarian regimes and their propaganda, commercial advertising, economic crises, etc.) have developed, including the possibility of self-destruction that has arisen for the first time humanity - military, environmental, narcotic, etc. New global threats have emerged, some of which have been averted (for example, the threat of nuclear war), and some threats are continuously being implemented where they are not yet able to effectively counter them (for example, the spread of AIDS, industrial pollution).

As you can see, both of these views are not completely contradictory: the progress of mankind in the field of scientific and technical capabilities is obvious, but it is these achievements of the human mind that have created new problems. Moreover, not only scientific and technical, but also humanitarian problems - social, economic, managerial, environmental, transport and various others.

Here are some examples of the new social problems generated by the technical improvements of our time.

One of the new sources of risk was the unprecedented power supply, economic and informational equipment of an ordinary private person, which turned his will into a factor of high unpredictability for himself and those around him. How to prevent catastrophes caused by mistakes or the will of an ordinary person, if he has a service weapon, maintains millions of bank accounts in his service, flies a civil aircraft? How can he avoid the consequences of not being good enough at repairing a tank in a chemical plant or inattentively inspecting products in a baby food factory?

Social problems are becoming a direct consequence of the introduced technological advances.

Mass computerization of banking, insurance, medical and other services facilitates and speeds up all forms of their work with a mass clientele, but creates risks of violating the confidentiality of private information in case of loss of databases.

The growing energy intensity of the world economy economically justifies the use of nuclear fuel. Nuclear power plants provide cheap electricity, but at the same time create problems. They consume a lot of water50 m 3 /s at one NPP with a capacity of 1000 MW, i.е. as much as a city of 5 million people consumes), carry the risk of radioactive contamination of the environment due to the transportation of waste, reactor accidents, etc.

Advances in genetic research open up the possibility of deliberate insertion into the genetic codes of living organisms. The results of such an introduction can be beneficial: genetically modified plants give an incomparably higher and more stable yield, medical genetics promises to cope with hereditary diseases. On the other hand, the genetic constancy of wildlife and man is the deep foundation of social stability. The social experience of interaction with wildlife and human nature has a duration of many thousands of years, it is expressed by numerous, often unconscious adaptive (adaptive) skills - food, emotional, family and household and other strategies. Genetic engineering, which will be able to create essentially new types of living organisms, including humans with new properties, will no doubt give rise to the problem of their mutual adaptation.

The new situation will inevitably present unprecedented demands for the creation of new strategies and new forms of human interaction. For example, “personality” may seem in the new conditions to be a too conservative way of organizing the human Self, while impersonal people - with a short social memory and simplified signs of self-identity - may turn out to be much more socially adaptive and even the only ones suitable for life in a new high-tech type of civilization.

All these and other modern problems are of an institutional nature, although, as it may seem at first glance, only new purely technical problems arise in various segments of society. For example, countering terrorism, in this technocratic perspective, comes down to building more advanced surveillance devices.

Consider, for example, the institutional problems that have arisen in the course of computerization in various industries.

At the first stage, the use of computers made it possible only to replace paper passportization (of bank accounts, polyclinic cards, museum exhibits, goods and other accounting groups) with electronic one. But later, work with the emerging databases opened up new goals, required a new organization and approaches - from setting new tasks and appropriate personnel to changing the rules for the functioning of these institutions. From the side of visitors, a hospital, a museum or a bank may look the same, but institutionally these institutions have been transformed due to computerization: new departments have been created, the duties of employees have been partially changed, etc.

For example, theoretically, a resident of any city in Ukraine can transfer money from his account in a local bank to a large banking system that has a branch in South Africa with an order to purchase shares of a campaign for him there, which announced a promising project on the African continent. The whole transaction may take, probably, five banking days. It is clear, however, that the feasibility of this scheme depends not only on the technical quality of communication and the existence of legal conditions, but also on the work of the local bank. Is there a group in its composition that is able to keep the world business in sight, able to offer investors attractive investments in such distant lands, aiming to include its bank in the broad context of the global economy through such operations? This, therefore, is about the institutional restructuring of the work of a local bank, taking into account the requirements of the global economy.

Similarly, a museum, if it seeks to enter the international system of museum research, must not only receive technical support, but also train researchers in foreign languages, computer technologies and change the organization of their work to achieve other goals arising in connection with the international division of labor. in the museum research field. But computer technologies make it possible to set completely new tasks in the field of museum activity itself: this is the so-called "virtual museum". Technical and substantive (content) support for such a museum requires the creation of a completely new institutional structure. Thus, the common name - museum - can only hide the difference between these two institutions of real and virtual ways of preserving public memory.

Concert. Performing songs in a hall in front of an audience of 500 people and performing songs in a stadium in front of an audience of, say, 50,000 listeners are different events. Despite the fact that they are called the same - "concert", institutionally they have more differences between them than similar features. Compare the repertoire, stage style, musical and technical means, financial support, security, prevailing tastes, expectations and behavior of the public in both cases, etc., typical for both cases, etc.

When we talk about the crisis of the usual established goals and forms of achieving them, about the overdue institutional reform simultaneously in different fields of activity (the above are examples from various fields: computer science, finance, biology, museum work, art), about the formation of new structures of human interactions that are suitable to achieve new goals, we are talking about clear, observable signs of a change in the type of civilization. In this case, in the 20th century, it is about the change of the civilization of the New Age by the civilization of Modern mass culture. The peak of this shift, apparently, was passed back in the 1970s. Today, this new civilization everywhere - on a global scale - establishes its own institutions, goals and rules of activity, new meanings of human existence.

"Additions". The correspondence of civilization and its institutions can be traced by comparing similar socio-cultural institutions in the contexts of different cultural and historical eras.

Supplement 1 to this chapter contains an outline of the history of the library,which shows how in different civilizations the “library” function of storing and disseminating socially valuable information was institutionalized. The second deals with the institutional crisis of art that occurred at the same time. The third of the essays "Supplement 3" is devoted to the institutional crisis of science in the twentieth century.

Supplement 3 . Science as an institution and the institutional crisis of science in the 20th century

The concept of "science" means both the process and the result. In the first sense, "science" is a special (research) activity to identify the permanent properties of the world around us. In the second, "science" is the body of knowledge thus obtained. Scientific knowledge is formalized in the form of "laws" and their consequences - in a certain way verified and practically reliable statements about stable relationships in the world around us.

Science is not the only way to create and store knowledge. To a large extent, knowledge about the permanent properties of the world is available to people before and outside of any science, through the accumulation of ordinary life experience. For example, domestic livestock keeping has been practiced by mankind for many millennia and requires considerable knowledge, which was formed and preserved in the very activities of pastoralists. (Agricultural science appeared only at the end XIX century, but since then it has been difficult to do without it). Religious truths, mystical beliefs, artistic images, craft skills (for example, the ability of a carpenter to take into account the properties of different types of wood) are also not scientific knowledge. Nevertheless, this is positive knowledge that can be relied upon in one or another human activity. Their truth is justified by the evidence that is generated within the corresponding experience of individuals and groups. And evidence is the source of local knowledge. It is enough to be outside the relevant practice, and the evidence of these truths may seem doubtful. That is why non-scientific knowledge is not universal. Invite a skilled carpenter to give a scientific lecture on the properties of wood. He, perhaps, will not be ready to do this, although he practically knows about these properties .. Another example. The reality of the country of Castalia is obvious to the reader of The Glass Bead Game by G. Hesse, but there is no such country outside this novel.

Scientific knowledge expressed by judgments such as “action is equal to reaction”, “the Sun is the closest star to the Earth in the Universe”, “the function of the lungs is gas exchange”, “the growth of a market (capitalist) economy goes through its periodic recessions”, “the drama of the era of classicism subject to the requirement of "three unities", etc. are considered fair (true), because they reflect facts and relations, the knowledge of which no longer depends on practical evidence: they are discovered and proven by scientific methods.

Scientific activity (in our time it is called "classical science") was formed in a meaningful and institutional way in the era of modern times, in XVII - XIX centuries Discoveries of scientists in the field of natural ratios up to the end XIX centuries had, first of all, the meaning of philosophical proofs - one or another principle of the world order, the cognitive power of the human mind, etc. At first, scientists managed to identify stable relationships in the field of motion of mechanical bodies and formulate them quantitatively, i.e. by means of mathematics. Later, scientific research extended to the history of the Earth, the animal world and man. AT XVII century, the search for the "laws of nature" was a completely new thing, the importance of which, over time, became more and more generally recognized. Scientists enjoyed public support for the so-called "enlightened" classes because educated people saw in their activities not a narrowly scientific, but a general cultural meaning. The discovery of simple and understandable rules that inevitably operate throughout the Universe anew, after the fall of religious culture in the Renaissance, substantiated the consciousness of the unity of the world, its orderliness and justice (first of all, this is the mechanics of Copernicus-Galileo-Newton and taxonomy, for example, the taxonomy of plants J. B. Lamarck (1744 – 1829) and animals by C. Linnaeus 1707 – 1778).

A scientist needed a laboratory and a library to work, and he could have them because early classical science was part of the lifestyle of high society. No wonder the era was called the "Enlightenment". Scientists and their discoveries enjoyed the material and moral support of the royal court and aristocratic salons (in France), or involvement in university life, where scientists combined research and teaching (in Germany), or private contributions to the organization of laboratories and wide public attention (in England) , or state recognition (in Russia), etc. All these social conditions, without which scientists could not work and publish their results, gaining recognition, must be included in the concept of the institution of classical science - a complex system of laboratories, libraries, publishing houses, amateur scientific societies and professional academies, universities and specialized higher schools, used for the production and storage of scientific knowledge and its application in creating a "scientific picture of the world".

It should be borne in mind that throughout almost the entire New Age, technology developed independently of science. . Separate facts of the organization of production on the basis of scientific discovery, as exceptions, appeared only from the second half of theXIX century. Science becomes an integral part of production and economic activity only by the middle of the 20th century.

Despite the quantitative growth in the number of scientists and their discoveries, before the First World War, the essence of science remained within the semantic limits set by the New Age. A scientist is first and foremost a natural scientist. An outstanding scientist is a master of experiment and its interpretation, a virtuoso of the knowledge of Nature. He himself determines the direction of his research, the scientific fields (mathematics, physics, chemistry, biology, etc.) are still very wide, the scientist has at his disposal a laboratory and one or two assistants, literature and collegiate contacts by correspondence and thanks to trips for work to other laboratories and universities (lectures and research). Only in the middle XIX century, international organizations of scientists began to appear and international congresses were held in some areas of science. The basic model of the work of a master scientist, a lone occupied with the study of essential phenomena and connections in the surrounding world and the world order hidden behind them, remained unchanged until the First World War. An example of a discovery, to a large extent "threshold" in the history of physics, the discovery of " X -rays ”(in Russian,“ X-ray ”), which was made in the fall of 1895 by the Würzburg physicist Wilhelm Conrad Roentgen ( Röntgen ) can illustrate the institutional principles of contemporary science.

Like many of his contemporaries, Roentgen was a lone researcher. He even personified this type in its extreme form. He almost always worked without assistants, and usually until late at night, when he could carry out his experiments completely without interference, using the instruments that were available at that time in the laboratory of any institute. The scientist drew attention to the glow in the dark of a fluorescent screen, which could not be caused by reasons known to him. So, by chance, Roentgen discovered radiation that could penetrate many opaque substances, cause blackening of a photographic plate wrapped in black paper or even placed in a metal case. Having come across an unknown phenomenon, the scientist worked all alone for seven weeks in one of the rooms of his laboratory, studying the properties of radiation, which in Germany and Russia are called "X-rays". He ordered that food be brought to the university and that a bed be placed there in order to avoid any significant breaks in work. Roentgen's thirty-page report was entitled "On a New Kind of Rays. Preliminary Communication." Soon the work of the scientist was published and translated into many European languages.New rays began to be investigated all over the world, in just one year over a thousand papers were published on this topic. W. Roentgen - Nobel Prize in Physics for 1901.

One more example. The outstanding German theoretical physicist Max Born (1882-1970) in the book "My Life and Views" (1968) recalls those scientists who influenced his professional development. The following passage gives an idea of ​​the almost private nature of communication in the scientific circles of Europe at the beginning of the 20th century, as if it were not about the training of a scientist, but, say, an artist or musician. (By the way, Born was a skilled enough pianist to play violin sonatas with Albert Einstein.) “In order to study the fundamental problems of physics more deeply, I went to Cambridge. There I became a graduate student at the College of Gonville and Caius and attended experimental courses and lectures. I realized that Larmor's treatment of electromagnetism was hardly new to me compared to what I had learned from Minkowski. But J. J. Thomson's demonstrations were brilliant and inspiring. However, the dearest experiences of that time were, of course, human feelings, which aroused in me the kindness and hospitality of the English, life among students, the beauty of colleges and countryside landscapes. Six months later, I returned to my native Breslau and tried to improve my experimental skills there. At that time there were two professors of physics, Lummer and Pringsheim, who gained fame for their measurements of black-body radiation. . In 1919, Born came to Frankfurt, where he had working conditions reminiscent of Roentgen's laboratory. “There I was given a small institute equipped with equipment, and I also used the help of a mechanic. My first assistant (assistant) was Otto Stern, who immediately found a use for our experimental equipment. He developed a method that made it possible to use atomic beams to study the properties of atoms. .

This style of modest scientific life, combining teaching, experiments, informal communication with close students, colleagues and like-minded people, Born supported in subsequent years in Germany and in exile in Scotland. But there is in his memoirs one episode from the First World War, which can serve as an example of a new approach to the organization of science. In 1915, Max Born was drafted into the army. “After a short stay in the radio units of the Air Force, at the request of my friend Ladenburg, I was transferred to the artillery research organization, where I was assigned to a unit engaged in sound location - determining the location of guns based on the results of measurements of the time of arrival of shot sounds at various points. Many physicists gathered under one roof, and we soon, when time allowed, began to engage in real science.(highlighted by me - M.N.) " .

In this passage, Born describes the early experiences of a new approach to the organization of scientific research. The belligerent state gathers specialists, bears the costs, and, through the mouth of the military, sets research tasks for them, expecting applied ones, i.e. practically applicable, results - not in the form of articles and theories, but in the form of effective methods and devices. For the first time, science is no longer viewed as a way to “seek the truth without prejudice and prejudice,” and they begin to set tasks for it arising from military (later industrial) practice. “According to the results of the First World War, it became clear that without using the results of science it is impossible to count on victory. All world powers began to finance scientific research focused on the creation of new types of weapons and the development of means of protection against them. Technological science was formed as a result of these organizing efforts of states and became their necessary component” .

The military experience of the relationship between the state and science, acquired during the First World War, was then repeatedly used, it formed the basis for the organization of scientific research for the entire subsequent twentieth century - within the framework of a new, Mass Civilization.

Of course, individual scientific research was not immediately supplanted. Not only Max Born recalled physical experiments in semi-basement rooms and informal friendly seminars among physicists. But the main path of institutionalization of science in the "era of the masses" was defined as the transition to "Big Science". New institutions implied scientific research, which required huge labor and material resources. In each case, public or private (in countries with a market economy) funding of scientific research in the field of nuclear energy, genetics, space exploration, artificial materials, etc. must be motivated by practical results in the form of products suitable for use either in the military or in the civil sphere. It is even better to have so-called "dual-use" products, such as aircraft that can be used to carry both military cargo and, with a little modification, passengers, or devices designed to monitor the health of astronauts that can be used in hospitals. This means that the concept of "pure" science - science for the sake of truth, which characterized the understanding of this activity in the culture of the New Age, lost its meaning with the advent of the era of Modernity. In a mass society, a scientist is no longer expected to confirm or discover such facts and patterns that would have an impact on collective ideas about the world and the person in it. All science, regardless of the nature of the actual research, in modern culture has acquired the meaning of "applied" - science for the sake of practice.

“Big science” has become no longer a science proper, but a special industry in which scientists become partners in production. For example, in the Soviet Union, in the implementation of the space, or rather, the military space program, dozens of scientific institutes were created, and nuclear scientists, materials scientists, rocket scientists, mathematicians, ballistics scientists, cybernetics, physicians, and many others worked in them. In order to achieve the necessary secret of research and concentration of resources, cities closed from the outside world, "science cities" were built. , "special", i.e. secret, research institutes and experimental plants, testing grounds and so on. Millions of people took part in these works. In the USSR, a special ministry was created to coordinate the military-industrial complex, with a strange name for such a case, the “Ministry of Medium Machine Building”. In the United States, the functions of the "military space ministry" are performed by "NASA » – National Aeronautics and Space Administration. In modern Russia, an analogue NASA - RSC (Rocket and Space Corporation) Energia.

Due to the new state of science, discoveries made by scientists as part of major projects are part of a collective effort and usually remain anonymous. In the history of pharmacology, the name of the English biologist who discovered the antibiotic "penicillin" (1929) - Alexander Fleming, has been preserved. But a modern person is unlikely not to become interested in the names of the creators of new, much more effective drugs: such a question in the culture of Modernity, in essence, does not make sense.

The transition across the line of cultural epochs - from the New Age to Modernity, which science experienced in the 20th century, can be seen by observing how the public perception of scientific discoveries that are recognized as outstanding, for example, awarded the Nobel Prize, has changed. The discovery of X-rays was a common cultural fact, as well as the discovery of radioactivity by A. Becquerel and the study of this phenomenon by the spouses Pierre and Marie Curie (Nobel Prize for 1903), the teaching of reflexes by Ivan Pavlov (award for 1904), the theory of relativity by A. Einstein (1921 ). Personal fame was gained by scientists, the creators of quantum theory, in which the "inevitability of a strange world" of microparticles was theoretically substantiated - Nobel laureates Max Planck (1918), Niels Bohr (1922), Werner Heisenberg (1932), Max Born (1954). However, let's try to recall the names of physicists who received the Nobel Prize in Physics in the late 1990s, for example, in 1995 "for the discovery of the tau lepton", (M. Pearl ), "for the detection of neutrinos" (F. Reines ), in 1996 "For the discovery of the superfluidity of helium-3" (D. Lee, D. Osheroff and R. Richardson), in 1997 "For the development of methods for cooling and trapping atoms with a laser beam" ( S. Chu, K. Cohen-Tannoji and V. Phillips), etc. In the second half of the twentieth century, among the discoveries in natural science, none had the power to directly influence people's worldview. The results of the work and the names of the largest scientists began to be perceived as having significance only within the science itself.

At the same time, the era of the mass scientific and technical industry of Modernity gave rise to the phenomenon of scientific "celebrities", whose fame is based not so much on their scientific achievements, but on their "popularity" created by their frequent appearance in the radio and television space in order to promote research close to them. industries. By analogy with the stars of show business, professor from the Higher School of Economics, sociologist S. Kordonsky called them "pop scientists" . “Pop scientists imitate the possession of knowledge and sell advertising slogans to the state and corporations,” writes this author. – An academic scientist, frightening with ozone holes, meteor attack or global warming, was bred in corporations involved in the development of new “high-tech” products, and gradually became an element of the standard media, and therefore political space. /…/ Pop scientists explain why it is necessary to give money, for example, for astrophysical or genetic research. And the outstanding representatives of technologized astrophysics and genetics rely on their demands to allocate money from the budget for the public speeches of these representative academics.” "Public Relations" or "Departments"public relations » are important subdivisions in the structure of all major scientific or research and production institutions of Modernity.

"Big science" has similar features in all countries where mass civilizations have managed to take shape. The work on the creation of the atomic bomb in the United States "Project" Manhattan "was carried out by the same gigantic corporate institution as the work on the creation of the atomic bomb in the USSR. On the other hand, industrial giants conduct such large-scale research work to create their engineering products that they can also be considered scientific superinstitutions (for example, the Aircraft Corporation " Boeing "(Boeing) and its European competitor, the aircraft manufacturer" Airbus"(Airbus). In our time, any branch of science, in order for the results of their research to be of public importance, must be built according to the model of scientific and production "Big Science" - with the participation of large state or corporate interests. . And although the data on the organization of nuclear research in China, Pakistan, India, Iran or the DPRK are difficult to obtain, there is no doubt that they are organized everywhere according to the institutional scheme of "Big Science", which corresponds to the goals and values ​​of modern Mass Culture.

Here is another extended definition.

INSTITUTION ) This term is widely used to describe regular and long-term social practices that are sanctioned and maintained by social norms and are important in the structure of society. Just like ‘role’ , 'institution' means established patterns of behavior, but it is seen as a higher order unit, more general, including many roles. Thus, the school as a social institution includes the roles of student and teacher (which usually implies the roles of "junior", "senior" and "leading" teachers) and also, depending on the degree of autonomy of different schools in relation to external structures, the role of parents and the role of managers, inspectors associated with the relevant governing bodies in the field of education. The institution of the school as a whole covers all these roles in all the schools that form the school system of education in a given society.

Usually, there are five main sets of institutions (1) economic institutions that serve for the production and distribution of goods and services; (2) political institutions that regulate the exercise of and access to power; (3) institutions of stratification that determine the placement of positions and resources; (4) kinship institutions associated with marriage, family and socialization youth; (5) cultural institutions associated with religious, scientific and artistic activities. (Sociological Dictionary / Translated from English. Edited by S.A. Erofeev. - Kazan, 1997)

Fukuyama, Francis (b. 1952) is an American political philosopher, author of The End of History and the Last Man. Internet page dedicated to the work of F. Fukuyama (in Russian) -

During the first 20 years of its activity, the European aircraft manufacturing concern Airbus was almost 100% financed by the budgets of European countries. More hidden government support in the US: it is carried out through government orders. After the September 11, 2001 attacks, when the industry was on the verge of a crisis, the US government helped Boeing Corporation with several large contracts.

High level of development of culture - when the highest level of cultural mastery is achieved through development and self-development.

(http://tourlib.net/books_tourism/recreation3.htm)

The average level of development of culture- this is when a person develops his culture at the level of an amateur, or as a "hobby".

()

Low level of development of culture - this is when contact with high cultural values ​​is not important for a person.

(http://www.countries.ru/library/anthropology/orlova/task/htm)

SOCIO-CULTURAL INSTITUTIONS one of the key concepts of sociocultural activity. In the broadest sense, it extends to the spheres of social and socio-cultural practice, and also refers to any of the many subjects interacting with each other in the socio-cultural sphere. (Lit.: A. Flier. Cultural Dictionary)

CLASSIFICATION OF SOCIO-CULTURAL INSTITUTIONS - depending on their role function in relation to consumers of cultural goods, values ​​and services in the face of thousands of children and adults audience of users: viewers, listeners, readers, as well as potential customers, producers, buyers of extensive socio-cultural products.

FAMILY - a cell of society and the most important source of social and economic development, a group of people related by marriage, kinship or adoption, living together and having common income and expenses. (Source: http://webotvet.ru/articles/opredelenie-semya.html)

Family - a social association whose members are connected by a common life, mutual moral responsibility and mutual assistance. In essence, the family is a system of relations between husband and wife, parents and children, based on marriage or consanguinity and having a historically defined organization. ( Lit.: Sociology / "under the editorship of prof. V.N. Lavrinenko. - M .: UNITI, 1998.[ c.281] )

FAMILY CLASSIFICATIONS:

Depending on the form of marriage:

  • monogamous family - consisting of two partners
  • polygamous family - one of the spouses has several marriage partners

Depending on the gender of the spouses:

  • same-sex family - two men or two women who jointly raise foster children, artificially conceived or children from previous (heterosexual) contacts.
  • heterosexual family

Depending on the number of children:

  • childless, or infertile family;
  • one-child family;
  • small family;
  • average family;
  • the large family.

Depending on composition:

  • simple or nuclear family - consists of one generation, represented by parents (parent) with or without children. The nuclear family in modern society has become the most widespread. She may be:
    • elementary - a family of three members: husband, wife and child. Such a family can be, in turn:
      • complete - includes both parents and at least one child
      • incomplete - a family of only one parent with children, or a family consisting of only parents without children
    • composite - a complete nuclear family in which several children are brought up. A composite nuclear family, where there are several children, should be considered as a conjunction of several elementary
  • complex family or patriarchal family - a large family of several generations. It may include grandparents, brothers and their wives, sisters and their husbands, nephews and nieces.

Depending on the place of the person in the family:

  • parental - this is the family in which a person is born
  • reproductive - a family that a person creates himself

Depending on the residence of the family:

  • matrilocal - a young family living with the wife's parents,
  • patrilocal - a family living together with the husband's parents;
  • neolocal - the family moves to a dwelling remote from the place of residence of the parents. (

Similar posts